The Audio Logging tab is where you spend almost all of your time in DayTracker. It shows you the entire day as a horizontal strip — midnight on the left, the next midnight on the right — with each kind of on-air event drawn in its own lane.
The date list on the left side of the tab shows every day DayTracker has on disk. Today's row is at the top and shows the recording state in real time:
Click any older date in the list to load its timeline into the main view. Older days are read-only — you can scrub, listen, export selections, and copy airchecks from them, but the recording is finished and the markers are fixed.
Each horizontal lane holds one kind of event. The 76-pixel column on the left labels the lanes and stays put while the timeline scrolls and zooms. Lanes alternate background tint so adjacent rows are easy to tell apart.
From top to bottom:
Click anywhere on the timeline to move the playhead to that spot. The playhead is a vertical line that spans every lane and a matching marker in the top ruler.
The same controls work whether you're playing or stopped:
| Control | What it does |
|---|---|
| Click | Seek to that time on the timeline. |
| Spacebar | Play or stop. |
| ← / → | Jump to the previous or next marker. |
| Shift+← / → | Back or forward ten seconds. |
| ⌘+← / → | Jump to the previous or next hour boundary. |
Use a two-finger swipe on a trackpad, or the scroll wheel on a mouse, to zoom the timeline in and out. DayTracker centers the zoom on the playhead so the moment you're focused on stays under the cursor as you zoom in.
Zoomed all the way out, you see the entire 24-hour day at once. Zoomed all the way in, you can pick a single second to scrub to.
Hovering your mouse over any marker shows that marker's label in the status bar — song title, voicetrack name, break number, or the custom note you wrote. No clicks required.
The filter bar above the timeline lets you hide lanes you don't care about for a given task. For example, hide everything but Breaks while you're working on a stopset aircheck; hide everything but Voicetracks while you're reviewing talent performance. The recording itself isn't filtered — only what's drawn on screen.